UPC: 5013929463943
Format: CD
Release Date: Apr 29, 2016
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![Shazam [Remastered & Expanded Edition] cover art](http://www.moviemars.com/cdn/shop/files/c31a95fcbb877caad8d0053db1d107eb.jpg?v=1777786672&width=1445)
This 1998 reissue contains 9 bonus tracks not on the original release.
The Move: Roy Wood, Carl Wayne, Rick Price, Bev Bevan.
All tracks have been digitally remastered.
The Move was always a hard band to pin down. They began by bringing a hard-edged American rock & roll sensibility to '60s British psych-pop, alternating between rave-ups and trip-outs. By the time of SHAZAM, one of the group's strongest efforts, the sound was most comparable to S.F. SORROW-era Pretty Things. There are hard-rock riffs aplenty, but they're employed in the service of long, ambitious songs, occasionally of a conceptual nature. The lengthy centerpiece, "Cherry Blossom Clinic," is indicative of SHAZAM's sound. "Clinic" tells the story of life inside a mental institution in a constantly shifting tour de force that moves from spoken-word fragments to heavy proto-progressive riffs to fanciful folk/baroque acoustic guitar tapestries.
On the other side of the coin, the band wrings some crunchingly heavy, Led Zep-like blues-rock out of some unlikely source material on the Barry Mann/Cynthia Weill composition "Don't Make My Baby Blue". Similarly, Tom Paxton's simple folk standard "The Last Thing On My Mind" is transformed into a moody, cinematic, seven-and-a-half-minute psychedelic rock epic. As if all this weren't enough, there's also nine (!) juicy bonus tracks.
The Move: Roy Wood, Carl Wayne, Rick Price, Bev Bevan.
All tracks have been digitally remastered.
The Move was always a hard band to pin down. They began by bringing a hard-edged American rock & roll sensibility to '60s British psych-pop, alternating between rave-ups and trip-outs. By the time of SHAZAM, one of the group's strongest efforts, the sound was most comparable to S.F. SORROW-era Pretty Things. There are hard-rock riffs aplenty, but they're employed in the service of long, ambitious songs, occasionally of a conceptual nature. The lengthy centerpiece, "Cherry Blossom Clinic," is indicative of SHAZAM's sound. "Clinic" tells the story of life inside a mental institution in a constantly shifting tour de force that moves from spoken-word fragments to heavy proto-progressive riffs to fanciful folk/baroque acoustic guitar tapestries.
On the other side of the coin, the band wrings some crunchingly heavy, Led Zep-like blues-rock out of some unlikely source material on the Barry Mann/Cynthia Weill composition "Don't Make My Baby Blue". Similarly, Tom Paxton's simple folk standard "The Last Thing On My Mind" is transformed into a moody, cinematic, seven-and-a-half-minute psychedelic rock epic. As if all this weren't enough, there's also nine (!) juicy bonus tracks.
Tracks:
1 - Hello Susie
2 - Beautiful Daughter
3 - Cherry Blossom Clinic Revisited
4 - Fields of People
5 - Don't Make My Baby Blue
6 - Last Thing on My Mind
7 - Wild Tiger Woman
8 - Omnibus
9 - Blackberry Way
10 - Certain Something
11 - Curly
12 - This Time Tomorrow
13 - Hello Susie
14 - Second Class (She's Too Good for Me)
2 - Beautiful Daughter
3 - Cherry Blossom Clinic Revisited
4 - Fields of People
5 - Don't Make My Baby Blue
6 - Last Thing on My Mind
7 - Wild Tiger Woman
8 - Omnibus
9 - Blackberry Way
10 - Certain Something
11 - Curly
12 - This Time Tomorrow
13 - Hello Susie
14 - Second Class (She's Too Good for Me)