UPC: 8717252270519
Format: CD
Release Date: Jan 20, 2017
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Oppressor: Tim King (vocals, keyboards, bass); Jim Stopper, Adam Zadel (acoustic & electric guitars); Tom Schofield (drums).
Recorded at Break Through Audio, Chicago, Illinois from November 2 to November 22, 1993. Originally released on Red Light (88369).
Oppressor: Tim King, Adam Zadel, Tom Schofield.
One of the most notorious and, well, only death metal bands of note to emerge out of the Midwest during the '90s, Chicago favorites Oppressor made their debut with 1994's Solstice of Oppression -- a technically proficient but rather samey death metal effort which nevertheless earned them a decent following in that metal-starved period. Guttural vocals, de-tuned riffing, elaborate arrangements, and challenging percussion combine to create a gut-churning, bottom-end vortex, which is fittingly, errr...oppressive. Occasional acoustic guitars and dexterously performed lead breaks add coloring throughout, but still offer little respite from the onslaught perpetrated by tracks like "Eclipse Into Eternity" and "And the Angels Fell (The Suffering)." The atmospheric intro "Prelude to Death" is the only exception to the rule, but soon unleashes hell once again via subsequent album highlight "Genocide." All told, there are no real surprises here, but plenty of blood and guts to ruin Thanksgiving dinner nonetheless. ~ Eduardo Rivadavia
Recorded at Break Through Audio, Chicago, Illinois from November 2 to November 22, 1993. Originally released on Red Light (88369).
Oppressor: Tim King, Adam Zadel, Tom Schofield.
One of the most notorious and, well, only death metal bands of note to emerge out of the Midwest during the '90s, Chicago favorites Oppressor made their debut with 1994's Solstice of Oppression -- a technically proficient but rather samey death metal effort which nevertheless earned them a decent following in that metal-starved period. Guttural vocals, de-tuned riffing, elaborate arrangements, and challenging percussion combine to create a gut-churning, bottom-end vortex, which is fittingly, errr...oppressive. Occasional acoustic guitars and dexterously performed lead breaks add coloring throughout, but still offer little respite from the onslaught perpetrated by tracks like "Eclipse Into Eternity" and "And the Angels Fell (The Suffering)." The atmospheric intro "Prelude to Death" is the only exception to the rule, but soon unleashes hell once again via subsequent album highlight "Genocide." All told, there are no real surprises here, but plenty of blood and guts to ruin Thanksgiving dinner nonetheless. ~ Eduardo Rivadavia