UPC: 5397102174179
Format: CD
Release Date: Mar 27, 2015
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Liner Note Authors: Hank Davis; Scott Parker ; Roy Forbes.
Illustrators: Hank Davis; Este ; Freddy Elzinga; Betty Johnson.
Photographers: Hank Davis; Este ; Freddy Elzinga; Betty Johnson.
Where its cousin, They Tried to Rock, Vol. 3: The Popsters, had a few big hits -- Louis Prima's "Jump Jive and Wail," the McGuire Sisters' "Sincerely," the Crew Cuts' "Sh Boom" -- there's nothing on the same level on They Tried to Rock, Vol. 4, but overall, it's a better example of how lost mainstream pop singers were in the wake of rock & roll. This disc, which runs 33 tracks just like its companion, has records that are embarrassingly square, along with some corkers that swing almost as hard as real rock & roll. Surprisingly, one of those sides comes from the Crew Cuts, whose version of "Suzie Q" is propelled by a little bit of fuzz guitar, but Rosemary Clooney's "Shot Gun Boogie" also swings like genuine country boogie, Nat King Cole's "Send for Me" is an insouciant shuffle, and Ella Mae Morse lays into "Lovey Dovey" with bluesy fervor. Most of these cuts, though, "can't rock and roll to save my soul," to borrow a phrase from Pearl Bailey. Her single treats rock & roll like so many different dance crazes, an understandable but misbegotten notion that fuels several other decided square singles here, including the absurd "Rockabilly Party" by Hugo & Luigi, Jean Dinning's stiff mambo through "Bo Diddley," Jo Stafford's reworking of "I Got a Woman" as "I Got a Sweetie," and Donny Baker's wild inversion of "Drinkin' Wine-Spo-Dee-O-Dee," "Drinkin' Pop-Sodee Odee (Pop Pop)." These records are cheerful embarrassments, but They Tried to Rock isn't about laughing at the past, it's a history lesson in just how odd and messy things were at the start of the rock & roll explosion, and most of the rest of the disc -- Tony Bennett's cheerful "Close Your Eyes," Pat Boone's oblivious "The Fat Man," Teresa Brewer's "Bo Weevil," a fairly raucous rendition of "Rock & Roll Ruby" from Lawrence Welk, and Johnnie Ray's overheated "Flip Flop and Fly" -- showcases singers ready to rock, if they only had some idea how. ~ Stephen Thomas Erlewine
Illustrators: Hank Davis; Este ; Freddy Elzinga; Betty Johnson.
Photographers: Hank Davis; Este ; Freddy Elzinga; Betty Johnson.
Where its cousin, They Tried to Rock, Vol. 3: The Popsters, had a few big hits -- Louis Prima's "Jump Jive and Wail," the McGuire Sisters' "Sincerely," the Crew Cuts' "Sh Boom" -- there's nothing on the same level on They Tried to Rock, Vol. 4, but overall, it's a better example of how lost mainstream pop singers were in the wake of rock & roll. This disc, which runs 33 tracks just like its companion, has records that are embarrassingly square, along with some corkers that swing almost as hard as real rock & roll. Surprisingly, one of those sides comes from the Crew Cuts, whose version of "Suzie Q" is propelled by a little bit of fuzz guitar, but Rosemary Clooney's "Shot Gun Boogie" also swings like genuine country boogie, Nat King Cole's "Send for Me" is an insouciant shuffle, and Ella Mae Morse lays into "Lovey Dovey" with bluesy fervor. Most of these cuts, though, "can't rock and roll to save my soul," to borrow a phrase from Pearl Bailey. Her single treats rock & roll like so many different dance crazes, an understandable but misbegotten notion that fuels several other decided square singles here, including the absurd "Rockabilly Party" by Hugo & Luigi, Jean Dinning's stiff mambo through "Bo Diddley," Jo Stafford's reworking of "I Got a Woman" as "I Got a Sweetie," and Donny Baker's wild inversion of "Drinkin' Wine-Spo-Dee-O-Dee," "Drinkin' Pop-Sodee Odee (Pop Pop)." These records are cheerful embarrassments, but They Tried to Rock isn't about laughing at the past, it's a history lesson in just how odd and messy things were at the start of the rock & roll explosion, and most of the rest of the disc -- Tony Bennett's cheerful "Close Your Eyes," Pat Boone's oblivious "The Fat Man," Teresa Brewer's "Bo Weevil," a fairly raucous rendition of "Rock & Roll Ruby" from Lawrence Welk, and Johnnie Ray's overheated "Flip Flop and Fly" -- showcases singers ready to rock, if they only had some idea how. ~ Stephen Thomas Erlewine
Tracks:
1 - Fat Man
2 - Ko Ko Mo (I Love You So)
3 - Rock Love
4 - Tutti Frutti
5 - I Got a Sweetie
6 - Fujiyama Mama
7 - Eddie My Love
8 - Teardrops from My Eyes
9 - Little White Lies
10 - (I'm) All Shook Up
11 - Lovey Dovey
12 - Close Your Eyes
13 - Blue Suede Shoes
14 - How High the Moon
15 - Drinkin' Pop-Sodee Odee (Pop Pop)
16 - Susie Q
17 - Bo Diddley
18 - Can't Rock and Roll to Save My Soul
19 - Bo Weevil
20 - Shot Gun Boogie
21 - Send for Me
22 - Two Hearts, Two Kisses
23 - Rockabilly Party
24 - Rock-A-Billy
25 - Flip Flop and Fly
26 - Rock and Roll Ruby
27 - Why Do Fools Fall in Love
28 - My Boy Flat-Top
29 - Let's Go Steady
30 - Teenage Prayer
31 - Rock Right
32 - See Saw
33 - Band of Gold
2 - Ko Ko Mo (I Love You So)
3 - Rock Love
4 - Tutti Frutti
5 - I Got a Sweetie
6 - Fujiyama Mama
7 - Eddie My Love
8 - Teardrops from My Eyes
9 - Little White Lies
10 - (I'm) All Shook Up
11 - Lovey Dovey
12 - Close Your Eyes
13 - Blue Suede Shoes
14 - How High the Moon
15 - Drinkin' Pop-Sodee Odee (Pop Pop)
16 - Susie Q
17 - Bo Diddley
18 - Can't Rock and Roll to Save My Soul
19 - Bo Weevil
20 - Shot Gun Boogie
21 - Send for Me
22 - Two Hearts, Two Kisses
23 - Rockabilly Party
24 - Rock-A-Billy
25 - Flip Flop and Fly
26 - Rock and Roll Ruby
27 - Why Do Fools Fall in Love
28 - My Boy Flat-Top
29 - Let's Go Steady
30 - Teenage Prayer
31 - Rock Right
32 - See Saw
33 - Band of Gold