UPC: 772532121521
Format: CD
Release Date: Jan 11, 2019
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Personnel: Steve Earle (vocals, 6-string, 12-string & high string guitars, mandolin, harmonica); Peter Rowan (vocals, gut string guitar, mandolin, mandola); Emmylou Harris (vocals); Norman Blake (Hawaiian guitar, guitar, dobro, mandolin, fiddle); Roy Huskey (acoustic bass).
Recorded at Magic Tracks Recording Studio and Masterfonics, Nashville, Tennessee. Originally released on Winter Harvest Entertainment (3302). Includes liner notes by Steve Earle.
TRAIN A COMIN' was nominated for a 1996 Grammy Award for Best Contemporary Folk Album.
When you need a break from THE MOUNTAIN (Earle's 1999 release with the Del McCoury Band), you could flip on his earlier all-acoustic TRAIN A COMIN'. Released in 1995, after the Texas-born songwriter's bout with heroin addiction and jail time, this was Earle's "comeback album." Not only is it an unfiltered pleasure to hear Earle in such pared-down environs, but the band itself is a killer outfit. Peter Rowan, Norman Blake, and the late Roy Huskey don't make "guest appearances" with the band-they are the band. And they're allowed to do what they do best. Blake is even given a solo spot, the guitar instrumental "Northern Winds."
Earle draws on material written over the last 20 years, but there's never a sense that he's culling from his notebook material that he was smart enough not to record the first time around. "Tom Ames' Prayer," "Mercenary Song," and "Ben McCullough" are great story songs with at least one leg planted in the 19th Century. "Sometimes She Forgets," "Goodbye," and "Nothin' Without You" are the kind of smart, acrid love songs that will, of course, never show up on the country charts.
Recorded at Magic Tracks Recording Studio and Masterfonics, Nashville, Tennessee. Originally released on Winter Harvest Entertainment (3302). Includes liner notes by Steve Earle.
TRAIN A COMIN' was nominated for a 1996 Grammy Award for Best Contemporary Folk Album.
When you need a break from THE MOUNTAIN (Earle's 1999 release with the Del McCoury Band), you could flip on his earlier all-acoustic TRAIN A COMIN'. Released in 1995, after the Texas-born songwriter's bout with heroin addiction and jail time, this was Earle's "comeback album." Not only is it an unfiltered pleasure to hear Earle in such pared-down environs, but the band itself is a killer outfit. Peter Rowan, Norman Blake, and the late Roy Huskey don't make "guest appearances" with the band-they are the band. And they're allowed to do what they do best. Blake is even given a solo spot, the guitar instrumental "Northern Winds."
Earle draws on material written over the last 20 years, but there's never a sense that he's culling from his notebook material that he was smart enough not to record the first time around. "Tom Ames' Prayer," "Mercenary Song," and "Ben McCullough" are great story songs with at least one leg planted in the 19th Century. "Sometimes She Forgets," "Goodbye," and "Nothin' Without You" are the kind of smart, acrid love songs that will, of course, never show up on the country charts.