UPC: 4000127172501
Format: CD (4 disc)
Release Date: Sep 21, 2012
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Audio Mixer: Bill Inglot.
Liner Note Author: Dave Samuelson.
Recording information: Anaheim Stadium, Anaheim, CA (01/03/1978-01/14/1980); Eleven-Eleven Sound Studio, Nashville, TN (01/03/1978-01/14/1980); Fireside Studio, Nashville, TN (01/03/1978-01/14/1980); Glaser Studio, Nashville, TN (01/03/1978-01/14/1980); Heider Scoring Service Inc., Los Angeles, CA (01/03/1978-01/14/1980); Jack Clement Recording Studios, Nashville, TN (01/03/1978-01/14/1980); Nashville, TN (01/03/1978-01/14/1980); Sierra Nevada Recording, Reno, NV (01/03/1978-01/14/1980); Sound Emporium, Nashville, TN (01/03/1978-01/14/1980); Sound Stage Studio, Nashville, TN (01/03/1978-01/14/1980); Anaheim Stadium, Anaheim, CA (02/15/1977-??/??/1981); Eleven-Eleven Sound Studio, Nashville, TN (02/15/1977-??/??/1981); Fireside Studio, Nashville, TN (02/15/1977-??/??/1981); Glaser Studio, Nashville, TN (02/15/1977-??/??/1981); Heider Scoring Service Inc., Los Angeles, CA (02/15/1977-??/??/1981); Jack Clement Recording Studios, Nashville, TN (02/15/1977-??/??/1981); Nashville, TN (02/15/1977-??/??/1981); Sierra Nevada Recording, Reno, NV (02/15/1977-??/??/1981); Sound Emporium, Nashville, TN (02/15/1977-??/??/1981); Sound Stage Studio, Nashville, TN (02/15/1977-??/??/1981); Anaheim Stadium, Anaheim, CA (03/29/1977-01/02/1979); Eleven-Eleven Sound Studio, Nashville, TN (03/29/1977-01/02/1979); Fireside Studio, Nashville, TN (03/29/1977-01/02/1979); Glaser Studio, Nashville, TN (03/29/1977-01/02/1979); Heider Scoring Service Inc., Los Angeles, CA (03/29/1977-01/02/1979); Jack Clement Recording Studios, Nashville, TN (03/29/1977-01/02/1979); Nashville, TN (03/29/1977-01/02/1979); Sierra Nevada Recording, Reno, NV (03/29/1977-01/02/1979); Sound Emporium, Nashville, TN (03/29/1977-01/02/1979); Sound Stage Studio, Nashville, TN (03/29/1977-01/02/1979); Anaheim Stadium, Anaheim, CA (04/11/1980); Eleven-Eleven Sound Studio, Nashville, TN (04/11/1980); Fireside Studio, Nashville, TN (04/11/1980); Glaser Studio, Nashville, TN (04/11/1980); Heider Scoring Service Inc., Los Angeles, CA (04/11/1980); Jack Clement Recording Studios, Nashville, TN (04/11/1980); Nashville, TN (04/11/1980); Sierra Nevada Recording, Reno, NV (04/11/1980); Sound Emporium, Nashville, TN (04/11/1980); Sound Stage Studio, Nashville, TN (04/11/1980); Anaheim Stadium, Anaheim, CA (05/16/1980); Eleven-Eleven Sound Studio, Nashville, TN (05/16/1980); Fireside Studio, Nashville, TN (05/16/1980); Glaser Studio, Nashville, TN (05/16/1980); Heider Scoring Service Inc., Los Angeles, CA (05/16/1980); Jack Clement Recording Studios, Nashville, TN (05/16/1980); Nashville, TN (05/16/1980); Sierra Nevada Recording, Reno, NV (05/16/1980); Sound Emporium, Nashville, TN (05/16/1980); Sound Stage Studio, Nashville, TN (05/16/1980); Anaheim Stadium, Anaheim, CA (05/1982-06/1982); Eleven-Eleven Sound Studio, Nashville, TN (05/1982-06/1982); Fireside Studio, Nashville, TN (05/1982-06/1982); Glaser Studio, Nashville, TN (05/1982-06/1982); Heider Scoring Service Inc., Los Angeles, CA (05/1982-06/1982); Jack Clement Recording Studios, Nashville, TN (05/1982-06/1982); Nashville, TN (05/1982-06/1982); Sierra Nevada Recording, Reno, NV (05/1982-06/1982); Sound Emporium, Nashville, TN (05/1982-06/1982); Sound Stage Studio, Nashville, TN (05/1982-06/1982); Anaheim Stadium, Anaheim, CA (05/21/1981); Eleven-Eleven Sound Studio, Nashville, TN (05/21/1981); Fireside Studio, Nashville, TN (05/21/1981); Glaser Studio, Nashville, TN (05/21/1981); Heider Scoring Service Inc., Los Angeles, CA (05/21/1981); Jack Clement Recording Studios, Nashville, TN (05/21/1981); Nashville, TN (05/21/1981); Sierra Nevada Recording, Reno, NV (05/21/1981); Sound Emporium, Nashville, TN (05/21/1981); Sound Stage Studio, Nashville, TN (05/21/1981); Anaheim Stadium, Anaheim, CA (06/18/1980); Eleven-Eleven Sound Studio, Nashville, TN (06/18/1980); Fireside Studio, Nashville, TN (06/18/1980); Glaser Studio, Nashville, TN (06/18/1980); Heider Scoring Service Inc., Los Angeles, CA (06/18/1980); Jack Clement Recording Studios, Nashville, TN (06/18/1980); Nashville, TN (06/18/1980); Sierra Nevada Recording, Reno, NV (06/18/1980); Sound Emporium, Nashville, TN (06/18/1980); Sound Stage Studio, Nashville, TN (06/18/1980); Anaheim Stadium, Anaheim, CA (07/21/1981); Eleven-Eleven Sound Studio, Nashville, TN (07/21/1981); Fireside Studio, Nashville, TN (07/21/1981); Glaser Studio, Nashville, TN (07/21/1981); Heider Scoring Service Inc., Los Angeles, CA (07/21/1981); Jack Clement Recording Studios, Nashville, TN (07/21/1981); Nashville, TN (07/21/1981); Sierra Nevada Recording, Reno, NV (07/21/1981); Sound Emporium, Nashville, TN (07/21/1981); Sound Stage Studio, Nashville, TN (07/21/1981); Anaheim Stadium, Anaheim, CA (08/14/1980); Eleven-Eleven Sound Studio, Nashville, TN (08/14/1980); Fireside Studio, Nashville, TN (08/14/1980); Glaser Studio, Nashville, TN (08/14/1980); Heider Scoring Service Inc., Los Angeles, CA (08/14/1980); Jack Clement Recording Studios, Nashville, TN (08/14/1980); Nashville, TN (08/14/1980); Sierra Nevada Recording, Reno, NV (08/14/1980); Sound Emporium, Nashville, TN (08/14/1980).
Illustrators: Brenda Colladay; Les Leverett; R.A. Andreas; Leona Williams.
Photographers: Brenda Colladay; Les Leverett; R.A. Andreas; Leona Williams.
After 11 years with Capitol Records, Merle Haggard departed the label for MCA in 1977, kicking off a five-year stint that is by most measures the most turbulent in the singer/songwriter's career. Capitol wasn't the only longtime relationship he left behind as he faced 40. He left Bonnie Owens for Leona Williams, who soon replaced Bonnie as his wife and duet partner. He tentatively began recording in Nashville, where he was convinced to leave behind his road-tested Strangers in favor of studio pros. He suffered a bit of a dry spell as a songwriter, leading him to record beloved covers and questionable new tunes alike. All these ups and downs are evident on 2012's The Troubadour, Bear Family's fourth Merle Haggard box, which chronicles the entirety of those MCA recordings over the course of 111 tracks. Haggard closed his run at MCA in a stronger position than he started and the music here is pretty much the working definition of a transitional period. Hag tries on different sounds and recording styles, rushing out a heartfelt tribute to a departed Elvis Presley, then agreeing to attempt to cash in on the CB radio craze way after the "Convoy" had passed, happily recording a duet with Clint Eastwood for Bronco Billy, grudgingly cutting "If We're Not Back in Love by Monday" -- a plain ripoff of his own "If We Make It Through December" -- but throwing himself into Jimmy Bowen's meticulous production for Serving 190 Proof, where he'd cut no more than one track a day. Serving 190 Proof wound up as one of Haggard's great albums and it's hardly the only highlight from these years. That Elvis Presley tribute is surprising and soulful, Back to the Barrooms is an excellent hard country record, and he wrapped up his time with the rollicking live album Rainbow Stew: Live at Anaheim Stadium. Along the way, he cut a few songs that qualify as Haggard classics -- the gorgeously heartbroken "Misery and Gin" and its defiant counterpart "I Think I'll Just Stay Here and Drink," the moody "I'm Always on the Mountain When I Fall" -- a bunch of strong straight-ahead country, some beautiful neglected gems like the unreleased song that lends its title to this box, a pretty good collection of spiritual tunes dedicated to his mom, plus some flotsam that's interesting as cultural artifacts (that CB single "The Bull and the Beaver"/"I'm Getting High," music for the botched 1981 blockbuster The Legend of the Lone Ranger). By any measure this box is a mixed bag, but it's a fascinating one because it tells a story: at the beginning Merle seems lost but by the time it wraps up, Haggard has regained his voice and authority, weathering his midlife crisis and becoming stronger once again. ~ Stephen Thomas Erlewine
Liner Note Author: Dave Samuelson.
Recording information: Anaheim Stadium, Anaheim, CA (01/03/1978-01/14/1980); Eleven-Eleven Sound Studio, Nashville, TN (01/03/1978-01/14/1980); Fireside Studio, Nashville, TN (01/03/1978-01/14/1980); Glaser Studio, Nashville, TN (01/03/1978-01/14/1980); Heider Scoring Service Inc., Los Angeles, CA (01/03/1978-01/14/1980); Jack Clement Recording Studios, Nashville, TN (01/03/1978-01/14/1980); Nashville, TN (01/03/1978-01/14/1980); Sierra Nevada Recording, Reno, NV (01/03/1978-01/14/1980); Sound Emporium, Nashville, TN (01/03/1978-01/14/1980); Sound Stage Studio, Nashville, TN (01/03/1978-01/14/1980); Anaheim Stadium, Anaheim, CA (02/15/1977-??/??/1981); Eleven-Eleven Sound Studio, Nashville, TN (02/15/1977-??/??/1981); Fireside Studio, Nashville, TN (02/15/1977-??/??/1981); Glaser Studio, Nashville, TN (02/15/1977-??/??/1981); Heider Scoring Service Inc., Los Angeles, CA (02/15/1977-??/??/1981); Jack Clement Recording Studios, Nashville, TN (02/15/1977-??/??/1981); Nashville, TN (02/15/1977-??/??/1981); Sierra Nevada Recording, Reno, NV (02/15/1977-??/??/1981); Sound Emporium, Nashville, TN (02/15/1977-??/??/1981); Sound Stage Studio, Nashville, TN (02/15/1977-??/??/1981); Anaheim Stadium, Anaheim, CA (03/29/1977-01/02/1979); Eleven-Eleven Sound Studio, Nashville, TN (03/29/1977-01/02/1979); Fireside Studio, Nashville, TN (03/29/1977-01/02/1979); Glaser Studio, Nashville, TN (03/29/1977-01/02/1979); Heider Scoring Service Inc., Los Angeles, CA (03/29/1977-01/02/1979); Jack Clement Recording Studios, Nashville, TN (03/29/1977-01/02/1979); Nashville, TN (03/29/1977-01/02/1979); Sierra Nevada Recording, Reno, NV (03/29/1977-01/02/1979); Sound Emporium, Nashville, TN (03/29/1977-01/02/1979); Sound Stage Studio, Nashville, TN (03/29/1977-01/02/1979); Anaheim Stadium, Anaheim, CA (04/11/1980); Eleven-Eleven Sound Studio, Nashville, TN (04/11/1980); Fireside Studio, Nashville, TN (04/11/1980); Glaser Studio, Nashville, TN (04/11/1980); Heider Scoring Service Inc., Los Angeles, CA (04/11/1980); Jack Clement Recording Studios, Nashville, TN (04/11/1980); Nashville, TN (04/11/1980); Sierra Nevada Recording, Reno, NV (04/11/1980); Sound Emporium, Nashville, TN (04/11/1980); Sound Stage Studio, Nashville, TN (04/11/1980); Anaheim Stadium, Anaheim, CA (05/16/1980); Eleven-Eleven Sound Studio, Nashville, TN (05/16/1980); Fireside Studio, Nashville, TN (05/16/1980); Glaser Studio, Nashville, TN (05/16/1980); Heider Scoring Service Inc., Los Angeles, CA (05/16/1980); Jack Clement Recording Studios, Nashville, TN (05/16/1980); Nashville, TN (05/16/1980); Sierra Nevada Recording, Reno, NV (05/16/1980); Sound Emporium, Nashville, TN (05/16/1980); Sound Stage Studio, Nashville, TN (05/16/1980); Anaheim Stadium, Anaheim, CA (05/1982-06/1982); Eleven-Eleven Sound Studio, Nashville, TN (05/1982-06/1982); Fireside Studio, Nashville, TN (05/1982-06/1982); Glaser Studio, Nashville, TN (05/1982-06/1982); Heider Scoring Service Inc., Los Angeles, CA (05/1982-06/1982); Jack Clement Recording Studios, Nashville, TN (05/1982-06/1982); Nashville, TN (05/1982-06/1982); Sierra Nevada Recording, Reno, NV (05/1982-06/1982); Sound Emporium, Nashville, TN (05/1982-06/1982); Sound Stage Studio, Nashville, TN (05/1982-06/1982); Anaheim Stadium, Anaheim, CA (05/21/1981); Eleven-Eleven Sound Studio, Nashville, TN (05/21/1981); Fireside Studio, Nashville, TN (05/21/1981); Glaser Studio, Nashville, TN (05/21/1981); Heider Scoring Service Inc., Los Angeles, CA (05/21/1981); Jack Clement Recording Studios, Nashville, TN (05/21/1981); Nashville, TN (05/21/1981); Sierra Nevada Recording, Reno, NV (05/21/1981); Sound Emporium, Nashville, TN (05/21/1981); Sound Stage Studio, Nashville, TN (05/21/1981); Anaheim Stadium, Anaheim, CA (06/18/1980); Eleven-Eleven Sound Studio, Nashville, TN (06/18/1980); Fireside Studio, Nashville, TN (06/18/1980); Glaser Studio, Nashville, TN (06/18/1980); Heider Scoring Service Inc., Los Angeles, CA (06/18/1980); Jack Clement Recording Studios, Nashville, TN (06/18/1980); Nashville, TN (06/18/1980); Sierra Nevada Recording, Reno, NV (06/18/1980); Sound Emporium, Nashville, TN (06/18/1980); Sound Stage Studio, Nashville, TN (06/18/1980); Anaheim Stadium, Anaheim, CA (07/21/1981); Eleven-Eleven Sound Studio, Nashville, TN (07/21/1981); Fireside Studio, Nashville, TN (07/21/1981); Glaser Studio, Nashville, TN (07/21/1981); Heider Scoring Service Inc., Los Angeles, CA (07/21/1981); Jack Clement Recording Studios, Nashville, TN (07/21/1981); Nashville, TN (07/21/1981); Sierra Nevada Recording, Reno, NV (07/21/1981); Sound Emporium, Nashville, TN (07/21/1981); Sound Stage Studio, Nashville, TN (07/21/1981); Anaheim Stadium, Anaheim, CA (08/14/1980); Eleven-Eleven Sound Studio, Nashville, TN (08/14/1980); Fireside Studio, Nashville, TN (08/14/1980); Glaser Studio, Nashville, TN (08/14/1980); Heider Scoring Service Inc., Los Angeles, CA (08/14/1980); Jack Clement Recording Studios, Nashville, TN (08/14/1980); Nashville, TN (08/14/1980); Sierra Nevada Recording, Reno, NV (08/14/1980); Sound Emporium, Nashville, TN (08/14/1980).
Illustrators: Brenda Colladay; Les Leverett; R.A. Andreas; Leona Williams.
Photographers: Brenda Colladay; Les Leverett; R.A. Andreas; Leona Williams.
After 11 years with Capitol Records, Merle Haggard departed the label for MCA in 1977, kicking off a five-year stint that is by most measures the most turbulent in the singer/songwriter's career. Capitol wasn't the only longtime relationship he left behind as he faced 40. He left Bonnie Owens for Leona Williams, who soon replaced Bonnie as his wife and duet partner. He tentatively began recording in Nashville, where he was convinced to leave behind his road-tested Strangers in favor of studio pros. He suffered a bit of a dry spell as a songwriter, leading him to record beloved covers and questionable new tunes alike. All these ups and downs are evident on 2012's The Troubadour, Bear Family's fourth Merle Haggard box, which chronicles the entirety of those MCA recordings over the course of 111 tracks. Haggard closed his run at MCA in a stronger position than he started and the music here is pretty much the working definition of a transitional period. Hag tries on different sounds and recording styles, rushing out a heartfelt tribute to a departed Elvis Presley, then agreeing to attempt to cash in on the CB radio craze way after the "Convoy" had passed, happily recording a duet with Clint Eastwood for Bronco Billy, grudgingly cutting "If We're Not Back in Love by Monday" -- a plain ripoff of his own "If We Make It Through December" -- but throwing himself into Jimmy Bowen's meticulous production for Serving 190 Proof, where he'd cut no more than one track a day. Serving 190 Proof wound up as one of Haggard's great albums and it's hardly the only highlight from these years. That Elvis Presley tribute is surprising and soulful, Back to the Barrooms is an excellent hard country record, and he wrapped up his time with the rollicking live album Rainbow Stew: Live at Anaheim Stadium. Along the way, he cut a few songs that qualify as Haggard classics -- the gorgeously heartbroken "Misery and Gin" and its defiant counterpart "I Think I'll Just Stay Here and Drink," the moody "I'm Always on the Mountain When I Fall" -- a bunch of strong straight-ahead country, some beautiful neglected gems like the unreleased song that lends its title to this box, a pretty good collection of spiritual tunes dedicated to his mom, plus some flotsam that's interesting as cultural artifacts (that CB single "The Bull and the Beaver"/"I'm Getting High," music for the botched 1981 blockbuster The Legend of the Lone Ranger). By any measure this box is a mixed bag, but it's a fascinating one because it tells a story: at the beginning Merle seems lost but by the time it wraps up, Haggard has regained his voice and authority, weathering his midlife crisis and becoming stronger once again. ~ Stephen Thomas Erlewine
Tracks:
Disc 1:
1 - Troubadour
2 - I Think It's Gone Forever
3 - If We're Not Back in Love by Monday
4 - Ramblin' Fever
5 - When My Blue Moon Turns to Gold Again
6 - Ghost Story
7 - Set Me Free
8 - Love Somebody to Death
9 - Ain't Your Memory Got No Pride at All
10 - My Love for You
11 - Last Letter
12 - From Graceland to the Promised Land
13 - Blue Christmas
14 - Are You Lonesome Tonight
15 - In the Ghetto
16 - Don't Be Cruel
17 - Jailhouse Rock
18 - Love Me Tender
19 - That's All Right (Mama)
20 - Heartbreak Hotel
21 - Blue Suede Shoes
22 - Merle's Farewell to Elvis
23 - I'm Always on a Mountain When I Fall
24 - Life of a Rodeo Cowboy
25 - It's Been a Great Afternoon
26 - Love Me When You Can
27 - There Won't Be Another Now
28 - Don't You Ever Get Tired (Of Hurting Me)
29 - There Ain't No Good Chain Gang
30 - Dream
31 - Immigrant
32 - Mama, I've Got to Go to Memphis
Disc 2:
1 - Bull and the Beaver
2 - I'm Getting High
3 - Red Bandana
4 - Driftwood
5 - Sing a Family Song
6 - Footlights
7 - Got Lonely Too Early This Morning
8 - Heaven Was a Drink of Wine
9 - I Can't Get Away
10 - My Own Kind of Hat
11 - I Didn't Mean to Love You
12 - Roses in the Winter
13 - I Must Have Done Something Bad
14 - Way I Am
15 - Wake Up
16 - Sky-Bo
17 - No One to Sing For (But the Band)
18 - Remember Me (I'm the One Who Loves You)
19 - Life's Just Not the Way It Used to Be
20 - Where Have You Been
21 - Take Me Back and Try Me One More Time
22 - I'll Always Be Glad to Take You Back
23 - It Makes No Difference Now
24 - It's Been So Long Darlin'
25 - Misery and Gin [From the Original Soundtrack of Bronco Billy]
26 - Bar Room Buddies [From the Original Soundtrack of Bronco Billy]
27 - You Babe
Disc 3:
1 - My Life's Been Grand
2 - Tell Me Something Bad About Tulsa
3 - Love Keeps Hanging On
4 - It's All in the Game
5 - Why Can't I Cry
6 - Bleachers
7 - Love Don't Hurt Every Time
8 - Susie
9 - Pennies from Heaven
10 - Make-Up and Faded Blue Jeans
11 - Ever Changing Woman
12 - Help Save the Wild Life
13 - Leonard
14 - I Don't Want to Sober Up Tonight
15 - Dealing with the Devil
16 - Can't Break the Habit
17 - Lay Your Hands on My Heart
18 - Back to the Barrooms Again
19 - Our Paths May Never Cross
20 - I Don't Have Any More Love Songs
21 - I Think I'll Just Stay Here and Drink
22 - I Don't Want to Sober Up Tonight
23 - New Cocaine Blues
24 - Easy Come, Easy Go
25 - Easy Come, Easy Go [Alternative]
Disc 4:
1 - When God Comes and Gathers His Jewels
2 - Supper Time
3 - He Walks with Me
4 - Softly and Tenderly
5 - Why Me
6 - Where No One Stands Alone
7 - One Day at a Time
8 - What a Friend We Have in Jesus
9 - Swing Low Sweet Chariot
10 - Old Rugged Cross
11 - Keep on the Sunny Side
12 - Fightin' Side of Me
13 - If We Make It Through December
14 - Misery and Gin
15 - I Think I'll Just Stay Here and Drink
16 - Back to the Barrooms Again
17 - Our Paths May Never Cross
18 - Running Kind/I'm a Lonesome Fugitive
19 - Rainbow Stew
20 - Blue Yodel #9
21 - Dealing with the Devil
22 - Fiddle Breakdown
23 - Sing Me Back Home
24 - Pearl Beer
25 - Man in the Mask
26 - Legend Begins [Narration]
27 - Breaking of Silver [Narration]
1 - Troubadour
2 - I Think It's Gone Forever
3 - If We're Not Back in Love by Monday
4 - Ramblin' Fever
5 - When My Blue Moon Turns to Gold Again
6 - Ghost Story
7 - Set Me Free
8 - Love Somebody to Death
9 - Ain't Your Memory Got No Pride at All
10 - My Love for You
11 - Last Letter
12 - From Graceland to the Promised Land
13 - Blue Christmas
14 - Are You Lonesome Tonight
15 - In the Ghetto
16 - Don't Be Cruel
17 - Jailhouse Rock
18 - Love Me Tender
19 - That's All Right (Mama)
20 - Heartbreak Hotel
21 - Blue Suede Shoes
22 - Merle's Farewell to Elvis
23 - I'm Always on a Mountain When I Fall
24 - Life of a Rodeo Cowboy
25 - It's Been a Great Afternoon
26 - Love Me When You Can
27 - There Won't Be Another Now
28 - Don't You Ever Get Tired (Of Hurting Me)
29 - There Ain't No Good Chain Gang
30 - Dream
31 - Immigrant
32 - Mama, I've Got to Go to Memphis
Disc 2:
1 - Bull and the Beaver
2 - I'm Getting High
3 - Red Bandana
4 - Driftwood
5 - Sing a Family Song
6 - Footlights
7 - Got Lonely Too Early This Morning
8 - Heaven Was a Drink of Wine
9 - I Can't Get Away
10 - My Own Kind of Hat
11 - I Didn't Mean to Love You
12 - Roses in the Winter
13 - I Must Have Done Something Bad
14 - Way I Am
15 - Wake Up
16 - Sky-Bo
17 - No One to Sing For (But the Band)
18 - Remember Me (I'm the One Who Loves You)
19 - Life's Just Not the Way It Used to Be
20 - Where Have You Been
21 - Take Me Back and Try Me One More Time
22 - I'll Always Be Glad to Take You Back
23 - It Makes No Difference Now
24 - It's Been So Long Darlin'
25 - Misery and Gin [From the Original Soundtrack of Bronco Billy]
26 - Bar Room Buddies [From the Original Soundtrack of Bronco Billy]
27 - You Babe
Disc 3:
1 - My Life's Been Grand
2 - Tell Me Something Bad About Tulsa
3 - Love Keeps Hanging On
4 - It's All in the Game
5 - Why Can't I Cry
6 - Bleachers
7 - Love Don't Hurt Every Time
8 - Susie
9 - Pennies from Heaven
10 - Make-Up and Faded Blue Jeans
11 - Ever Changing Woman
12 - Help Save the Wild Life
13 - Leonard
14 - I Don't Want to Sober Up Tonight
15 - Dealing with the Devil
16 - Can't Break the Habit
17 - Lay Your Hands on My Heart
18 - Back to the Barrooms Again
19 - Our Paths May Never Cross
20 - I Don't Have Any More Love Songs
21 - I Think I'll Just Stay Here and Drink
22 - I Don't Want to Sober Up Tonight
23 - New Cocaine Blues
24 - Easy Come, Easy Go
25 - Easy Come, Easy Go [Alternative]
Disc 4:
1 - When God Comes and Gathers His Jewels
2 - Supper Time
3 - He Walks with Me
4 - Softly and Tenderly
5 - Why Me
6 - Where No One Stands Alone
7 - One Day at a Time
8 - What a Friend We Have in Jesus
9 - Swing Low Sweet Chariot
10 - Old Rugged Cross
11 - Keep on the Sunny Side
12 - Fightin' Side of Me
13 - If We Make It Through December
14 - Misery and Gin
15 - I Think I'll Just Stay Here and Drink
16 - Back to the Barrooms Again
17 - Our Paths May Never Cross
18 - Running Kind/I'm a Lonesome Fugitive
19 - Rainbow Stew
20 - Blue Yodel #9
21 - Dealing with the Devil
22 - Fiddle Breakdown
23 - Sing Me Back Home
24 - Pearl Beer
25 - Man in the Mask
26 - Legend Begins [Narration]
27 - Breaking of Silver [Narration]