Tusk [2015 Remaster]

Fleetwood Mac: Lindsay Buckingham (vocals, guitar); Christine McVie (vocals, keyboards, synthesizer); Stevie Nicks (vocals); John McVie (bass); Mick Fleetwood (drums, percussion).
Additional personnel: The U.S.C. Trojan Marching Band.
Producers: Fleetwood Mac, Richard Dashut, Ken Caillat.
Engineers: Ken Caillat, Richard Dashut, Lindsey Buckingham.
Recorded at The Village Recorder, Los Angeles, California.
This deluxe edition of Tusk includes a bonus disc featuring roughs, outtakes and demos.
Fleetwood Mac: Lindsay Buckingham (vocals, guitar); Christine McVie (vocals, keyboards, synthesizer); Stevie Nicks (vocals); John McVie (bass); Mick Fleetwood (drums, percussion).
Additional personnel: The U.S.C. Trojan Marching Band.
Producers: Fleetwood Mac, Richard Dashut, Ken Caillat.
Engineers: Ken Caillat, Richard Dashut, Lindsey Buckingham.
Recorded at The Village Recorder, Los Angeles, California. Originally released on Warners Bros. (3350). Includes liner notes by Parke Puterbaugh.
Personnel: Lindsey Buckingham (vocals, guitar); Christine McVie (vocals, keyboards, synthesizer); Stevie Nicks (vocals); Mick Fleetwood (drums, percussion).
Audio Remasterer: Dan Hersch.
Liner Note Author: Jim Irvin.
Recording information: Dodger Stadium; The Village Recorder.
Photographers: Jayne Odgers; Norman Seeff; Peter Beard.
No home should be without at least one copy of TUSK. Fleetwood Mac's magnum opus of 1979 is considered by some to be their greatest work. And while you are probably familiar with the hits, you may not realize that this recording is full of gems like Christine McVie's gorgeous "Brown Eyes" and Lindsey Buckingham's rousing and infectious "I Know I'm Not Wrong." Of course, even the Nikei industrial average would sound beautiful if it were sung with Christine's wonderful voice. And Lindsey Buckingham's home recordings that show up here are a virtual blueprint for the indie-rock home-recording scene that would flourish nearly 20 years later. While some records from this period seem campy and quaint in retrospect, TUSK still sounds terrific, thanks to those Dashut/Buckingham production values. But what's up with that marching band on the title track?